Thursday, March 17, 2016

Escaping Flatland

I thought this was a very interesting read.  Though difficult to understand at times, and requiring me to go back and read it over in order to fully grasp the ideas being conveyed, I really liked the idea of this reading.  Part of my lack of understanding was due to the enigmatic language used throughout to describe the different methods.  However, despite my lack of comprehension of a fair amount of these words, I was able to derive the general idea of the passage. 


It begins by stating that our world is “caught up in the two-dimensionality of the endless flatlands of paper and video screen”, establishing the idea that far too much of what we see in our daily lives is simply two dimensional, but states that there are several ways in which we can “escape this flatland”.  In particular, this passage focuses on methods by which we can both increase the number of dimensions displayed on a flat piece of paper as well as increase the data density.  He also describes why 3-dimensional displays, especially that of the solar system, fails in adequately providing basic understanding because the focus on the complexity of the actual model draws away from its basic concept.  This is the basis through which he argues that multiple dimensions can be portrayed on flatland, such as in the case of sunspots or railroads.  One thing I was confused by was how exactly the method of viewing sun spots incorporates a piece of paper in order to amplify the image.  This was the technique which Galileo used, and he was able to depict the most accurate image of the sun at the time.  Through his understanding of dimensions, he was able to refute beliefs that sunspots were simply stars or satellites.  As time went on, methods for marking the locations of sunspots vastly improved.  Scheiner fabricated a model of tracking them which was more complex than that of Galileo, but not quite as advanced as those of Maunder or Fisher, which made use of parallel sequencing to enhance dimensionality and density.  It is amazing how far they came and how much people were able to improve on the work of Galileo.  The next example was particularly interesting.  It describes the system by which Java was able to create a 2-dimensional chart which was still able to accurately tell the movement of trains along railroads.  There are many ways in which we can “escape flatland” and portray multiple dimensions even in a way that would normally be 2-dimensional.

Thursday, March 10, 2016

Artist Research


1) Andy Warhol: Andy Warhol's work always intrigued me. His use of color, contrast, and repetition is his tactic for grabbing the viewer's attention, and it works. Also, Warhol seems to have a tendency to depict major figures of the past; Marilyn Monroe, Audrey Hepburn, Michael Jackson, etc. These are a few of the people who grab my attention the most. I've always been a person more interested in the past than the present. I have pictures of Audrey Hepburn and Marilyn Monroe hanging in my dorm room as well as my room at home. Also, his use of repetition gives his work a sort of systematic feel, which I like. Being a numbers person, I'm attracted to things that are systematic and organized which makes his work so pleasing to my eye. Since Warhol is basically the founder of the pop art movement, he would be a really interesting artist to research.

2) Bridget Riley: When I looked up Bridget Riley's work, I was instantly drawn to it. Again, her approach is very systematic and organized in such a way that it forms optical illusions. I enjoy her lack of bright colors and abstractness. Everything she makes seems to form some kind of pattern, but no two are the same. Trying to learn to create your own optical illusions seems to me to be very difficult and I think Riley would be a really intriguing artist to look into and research for that reason.

3) Salvador Dali: Salvador Dali is a little bit out of my comfort zone; His painting style is very abstract and unusual, but in such an interesting way that you can't help but stare. When I look at his work, my mind wanders through it and it ignites my critical thinking. His style of morphing different things together in a way that flows and pleases the eye is so unique and compelling. Also, the surrealism behind every piece only draws you in even further. There seems to be a hidden message behind every piece and that's what makes you think so hard, but they're also free to interpretation. His style and character seem to be really unique and really interesting to research.